Ports 1961 Fall 2025: Chameleonic Tailoring and Flapper Eveningwear
Antonio Melani Christina Lace Square Neck Sleeveless A-Line Maxi Dress
Final Sale Paris Texas Holly Nicole 105mm lace up sandals ruby pink calf suede wraparound style rhinestone embellishment crossover strap detail open toe self-tie fastening 105mm stiletto heel Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Composition Lining: Calf Leather Sole: Calf Leather Outer: Calf Suede The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 19343473 Brand style ID: PX704XSACH
SONGZIO Meta Plated trousers Highlights black concealed fly and button fastening detachable waist belt two side welt pockets two rear button-fastening jetted pockets Composition Wool 80%, Polyester 20% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.88 m wearing size M The model is also styled with: Feng Chen Wang seam-detail shirt, SONGZIO ribbed cardigan Product IDs FARFETCH ID: 26898491 Brand style ID: SSG5PT704BK
The fall Ports 1961 collection was one of sharp clarity. At his sophomore effort as design director of the brand, Francesco Bertolini seems to have found his footing, with fewer and more precise ideas. Handsome tailoring made the best impression, with tweed pencil-skirted, belted suits and egg-shaped peacoats with a martingale. A black belted pantsuit had patch pockets edged in chiffon, a delicate counterpoint to the razor-sharp silhouette. Ditto for the coat with mother-of-pearl button running down the back. He trained his tailor hand on chameleon-like pieces intended to offer the wearer different styling options. The flowing sharkskin topcoats seemingly layered on top of one another were in fact a single garment with two lapels; A-line shirts came with an over-bib that doubled as a cape, and rainproof parkas had a detachable cloak. All inspired by the Bauhaus idea of functionality over ornamentation, they were sleek, conceptual and desirable, although one was skeptical about their practicality. Visibly excited and committed to the brand’s success, Bertolini said he wishes to inject desirability into his collections but would love to hit the red carpet, too. Here he subtly referenced flapper girls, with jewel-like crystal fringes cascading from under furry coats, shift dresses with georgette fringes swishing with every move and three-piece tuxedos, with a vest layered under a lapel-less blazer. You May Also Like A mock neck number decked in tiny feathers made of chiffon would look stunning on Demi Moore at Sunday’s Oscars.
Artículo actual:http://u8f5y.lhsusong.com/20250312_87154.html
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